Fringe Review: Trash Test Dummies

Alister Tenneb reviews Trash Test Dummies at the Edinburgh Festival Fringe. THIS acrobatic/circus/slapstick performance essentially revolves around three wheelie bins – doesn’t fill you with delight? The show is geared towards kids ten years and under and judging by the near constant shouts, shrieks, squeals of laughter from their younger attendees they certainly know their…

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Fringe Review: Frank Skinner: 30 Years of Dirt

Alister Tenneb reviews Frank Skinner: 30 Years of Dirt at the Edinburgh Festival Fringe. I FIRST saw Frank Skinner more than 30 years ago, performing in one of the smallest rooms in the Pleasance Courtyard, a couple of years before he won The Perrier Award. I think there were about five people in the crowd.…

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Fringe Review: Paul Foot: Dissolve

Alister Tenneb reviews Paul Foot: Dissolve at the Edinburgh Festival Fringe. PAUL FOOT enters the room and immediately is right up shouting into people’s faces in a pretty full-on manner – possibly it’s his way of laying down the rules for audience engagement. I’m glad not to be on the receiving end of it. He…

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Fringe Review: Il Wol Dang

Megan Amato reviews Il Wol Dang at the Edinburgh Festival Fringe. BEFORE interviewing Il Wol Dang, I had been intrigued by their beautifully simplistic poster with their slogan “Come and Take a Dreamy Nap”. Further research led me to their Spotify account with a setlist that combines traditional Korean and western instruments in a captivating…

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Fringe Review: Clara Pople

Jeremy Welch reviews Clara Pople at the Edinburgh Festival Fringe. WORKING as a reviewer during the festival is a bit like working on an oyster farm – you shuck away at the oysters in the hope of finding pearls.  More so when you review shows in the Free Fringe.  My admiration for these artists that…

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Fringe Review: Let the Bodies Pile

Jeremy Welch reviews Let the Bodies Pile at the Edinburgh Festival Fringe. HENRY NAYLOR is a fantastic playwright with justifiable awards and accolades heaped upon him.  This production is typical Naylor, probing, questioning and leaving the audience to judicate.  Is it his best work? No, but it is great theatre all the same. The play…

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Fringe Review: Hello, the Hell: Othello

Megan Amato reviews Hello, the Hell: Othello at the Edinburgh Festival Fringe. BARDOLATORS may be horrified to hear that I was never a huge fan of Shakespear’s works – comedies nor tragedies. Despite this, I have seen and read an extraordinary number of retellings as they often bring fresh and creative twist. In Creative Jakhwa’s…

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