Edinburgh Fringe Reviews: Miriam Margolyes and Patrick Monahan

Miriam Margolyes is as outrageous as ever in her one-woman show, Margolyes & Dickens: More Best Bits says Frankie Reason.  ★★★★ She doesn’t feel the need to introduce herself – ‘if you don’t know who I am, what the f**k are you doing here?’ – and she’s entirely justified. The audience cheer their approval and…

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Fringe Reviews: Dance & Theatre

The Crucible – ★★★★ Nine sturdy-looking wooden chairs horseshoe the stage. A woman dressed like a governess stands in the centre with a lit lantern as she watches the crowd fill the seats. A few chairs downs from me sits a performer with a white bonnet covering her face. The lights dim and music starts,…

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Fringe Reviews: Dan Tiernan, Vittorio Angelone & Terence Hartnett

Dan Tiernan’s abrasive comedy style is at once hilarious and disconcerting, says Frankie Reason.  ★★★★ Dan opens his set with a scream, immediately turns to talk of ketamine, and then proceeds to riff on his divisive style.  ‘Not for everyone this, is it’ he reflects, before accusing the hot-chocolate-drinking Café Nero patrons of stumbling into…

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Fringe Reviews: FLOP, Art of Andalucia & Cambridge Footlights

Arthur Hull’s FLOP has charisma by the bucket-loads, Frankie Reason says. ★★★★ Edinburgh-born Australian artist Arthur Hull delivers a musically impressive, engaging, and witty exploration of musical theatre’s greatest flops. Both exposé and love letter, Hull muses on the dubious opening choreography to Carrie, the pitfalls of theatre to screen, the consistently faulty formula that…

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