Fringe Review: Kokoon

Megan Amato reviews Kokoon at the Edinburgh Festival Fringe. K-POP fans who don’t take themselves too seriously were in for a treat earlier this month as comedy-boyband Kokoon did their run at the Edinburgh Fringe. Combining classic choreography with comedy skits and lip syncing to both K-Pop giants and their own singles, Kokoon had their…

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Fringe Review: Taiwan Season: Since 1984

Megan Amato reviews Taiwan Season: Since 1984 at the Edinburgh Festival Fringe. I CAN always count on Taiwan Season to bring a thoughtful and outstanding range of acts to the Edinburgh Fringe and #Since1994 proved to be no exception. On the surface, this circus/physical theatre is visually stunning. The strength of each performer is demonstrated…

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Fringe Review: Stampdown Comedy Night

Richard Bath reviews Stampdown Comedy Night at the Edinburgh Festival Fringe. SHOCKINGLY shite. Truly execrable. Peerlessly rubbish. In quarter of a century of attending numerous comedic shows at each Fringe, I’ve seen some right old tosh. Yet nothing comes close to matching the sheer teeth-grinding horror of this mind-sappingly puerile waste of time and money…

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National Theatre unveils Dracula and Mina

THE National Theatre of Scotland (NTS) has today unveiled the first look at its production of Dracula: Mina’s Reckoning. The play was written by Morna Pearson and shifts Bram Stoker’s narrative to the North-East. The NTS has assembled an all-female and non-binary cast for the production, which will tour Scotland, Liverpool, and Coventry in September…

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Fringe review: Tending

Jeremy Welch reviews Tending at the Edinburgh Festival Fringe. Normally when the NHS is mentioned it is conjoined to those that want it restructured, those that want more funding and those that think nurses are saints or not.   All this narrative is usually underpinned by entrenched political views. So it was with some nervousness that…

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Fringe reviews: The Greatest Show Songs

Jeremy Welch reviews The Greatest Show Songs at the Edinburgh Festival Fringe. On arrival I was expecting a wide age range of attendees but it would seem that this show has a large groupie following of silver haired West End aficionados.   It felt slightly like arriving on a SAGA cruise holiday, which was a shame…

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Fringe review: Journey to the West

Megan Amato reviews Journey to the West at the Edinburgh Festival Fringe. Published during the Ming dynasty, Journey to the West is likely one of the most well-known and celebrated Chinese novels – at least to us outside of China. In fact, there were two adaptations of it at the fringe this year: the first a…

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Women’s piping and drumming survey extended

THE National Piping Centre has extended the deadline for women to take part in its survey about their experiences of piping and drumming. The survey, which was launched in April, has received 240 responses so far. The centre has now extended the deadline for submissions until 8 September. News of the extension came as the…

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Fringe review: My Neighbours Are Kind Of Weird

When entering a venue for an hour-long self-proclaimed witty and wry look at millennial culture, with a side salad of hypocrisy and narcissism, one arrives with a heavy heart. One was wrong though. This was a thoroughly enjoyable comedic excursion that fused universally good performances from all five young actors, and some admirably taut script-writing…

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Fringe review: Salty Irina

Jeremy Welch reviews Salty Irina at the Edinburgh Festival Fringe. The play is set in some non-defined Northern European city where there have been a series of murders, all the murdered are foreigners, all recent immigrants.   Irina, played by Yasemin Ozdemir, arrives at her apartment and the steps are steeped in blood, obviously the result…

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