Fringe Reviews: Dance and Theatre

Is there work on Mars ★★★★ In a Dystopian world, a young woman named Xue is being interviewed for a Move to Mars Worker’s Visa as a lawyer with Nylon Tusk’s SpaceX. Through a series of tests and questions – all whilst doing a beep test – the audience are eyewitness to systemic barriers and…

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Fringe Reviews: Circa: Wolf, Garry Starr & Ascension

Circa: Wolf is an astonishing, feral acrobatic spectacle, says Frankie Reason. ★★★★ Performers snarl at one another from across the stage, negotiating, imitating one another’s movements, and the ‘pack’ repeatedly forms and disperses, repelling any lone wolves that attempt to penetrate the fold.  The choreography is charged with an unexpected intimacy, raw and animalistic, bodies…

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Fringe Reviews: Dan Tiernan, Vittorio Angelone & Terence Hartnett

Dan Tiernan’s abrasive comedy style is at once hilarious and disconcerting, says Frankie Reason.  ★★★★ Dan opens his set with a scream, immediately turns to talk of ketamine, and then proceeds to riff on his divisive style.  ‘Not for everyone this, is it’ he reflects, before accusing the hot-chocolate-drinking Café Nero patrons of stumbling into…

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Fringe Reviews: FLOP, Art of Andalucia & Cambridge Footlights

Arthur Hull’s FLOP has charisma by the bucket-loads, Frankie Reason says. ★★★★ Edinburgh-born Australian artist Arthur Hull delivers a musically impressive, engaging, and witty exploration of musical theatre’s greatest flops. Both exposé and love letter, Hull muses on the dubious opening choreography to Carrie, the pitfalls of theatre to screen, the consistently faulty formula that…

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Fringe Reviews: Monstering the Rocketman, Find Me, Bitter Baby

The award-winning writer, Henry Naylor, is back at the fringe with Monstering the Rocketman and it’s a must see, Jeremy Welch says.  ★★★★★ This production comes after his two award winning plays at previous fringes, Afghanistan is not Funny and Let the Bodies Pile. He doesn’t disappoint with this production. In this play we see…

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