Posts Tagged ‘scottish field’
Fringe Review: Paul Foot: Dissolve
Alister Tenneb reviews Paul Foot: Dissolve at the Edinburgh Festival Fringe. PAUL FOOT enters the room and immediately is right up shouting into people’s faces in a pretty full-on manner – possibly it’s his way of laying down the rules for audience engagement. I’m glad not to be on the receiving end of it. He…
Read MoreFringe Review: Alexander Bennett: I Can’t Stand the Man, Myself
Alister Tenneb reviews Alexander Bennett: I Can’t Stand the Man, Myself at the Edinburgh Festival Fringe. HAVING arrived just in time for the performance, I was dreading sitting at the front and where the only empty seat was in this sell out production – I was very relieved that Alexander Bennett made a point of…
Read MoreFringe Review: Il Wol Dang
Megan Amato reviews Il Wol Dang at the Edinburgh Festival Fringe. BEFORE interviewing Il Wol Dang, I had been intrigued by their beautifully simplistic poster with their slogan “Come and Take a Dreamy Nap”. Further research led me to their Spotify account with a setlist that combines traditional Korean and western instruments in a captivating…
Read MoreFringe Review: Fall and Flow
Megan Amato reviews Fall and Flow at the Edinburgh Festival Fringe. AS I slipped into the performance, I was not clear on what kind of show I had walked into to as it was wholly different from what I had expected nor anything like what I had seen at the Edinburgh Fringe so far. However,…
Read MoreFringe Review: The Legends of Mountains and Seas
Megan Amato reviews The Legends of Mountains and Seas at the Edinburgh Festival Fringe. THE Graduate Institute of Performing Arts of National Taiwan Normal University’s The Legends of Mountains and Seas dramatises the Chinese myth of legendary archer Hou Yi, who was banished to Earth for shooting down nine out of ten suns and his…
Read MoreInternational Festival Review: The Rite of Spring
Megan Amato reviews The Rite of Spring at the Edinburgh International Festival. PINA BAUSCH’S The Rite of Spring returned to Edinburgh on 17 August with pan-African dance company École des Sable, The Pina Bausch Foundation and Sadler’s Wells. Composed by Igor Stravinsky in 1913, Bausch transformed the pagan Russian performance into the stark battle between…
Read MoreFringe Review: Clara Pople
Jeremy Welch reviews Clara Pople at the Edinburgh Festival Fringe. WORKING as a reviewer during the festival is a bit like working on an oyster farm – you shuck away at the oysters in the hope of finding pearls. More so when you review shows in the Free Fringe. My admiration for these artists that…
Read MoreFringe Review: Let the Bodies Pile
Jeremy Welch reviews Let the Bodies Pile at the Edinburgh Festival Fringe. HENRY NAYLOR is a fantastic playwright with justifiable awards and accolades heaped upon him. This production is typical Naylor, probing, questioning and leaving the audience to judicate. Is it his best work? No, but it is great theatre all the same. The play…
Read MoreFringe Review: Hello, the Hell: Othello
Megan Amato reviews Hello, the Hell: Othello at the Edinburgh Festival Fringe. BARDOLATORS may be horrified to hear that I was never a huge fan of Shakespear’s works – comedies nor tragedies. Despite this, I have seen and read an extraordinary number of retellings as they often bring fresh and creative twist. In Creative Jakhwa’s…
Read MoreFringe Review: Taiwan Season – Duo
Megan Amato reviews Duo from the Taiwan Season at the Edinburgh Festival Fringe. SOME dance productions are so emotionally charged and physically exacting that they move your heart in a way that makes you feel incredibly lonely despite your relationship status. This is one of said productions. Taiwan Season’s Duo is just as it states…
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