Edinburgh Riding of the Marches returns

THE Edinburgh Riding of the Marches will return on 10 September following a three-year gap. The event traces its roots to the historic riding of the boundaries – or “marches” – of the city, which dates back to 1579. The practice died out after 1718 but was revived in 1946 to mark the end of…

Read More

Fringe Review: Frank Skinner: 30 Years of Dirt

Alister Tenneb reviews Frank Skinner: 30 Years of Dirt at the Edinburgh Festival Fringe. I FIRST saw Frank Skinner more than 30 years ago, performing in one of the smallest rooms in the Pleasance Courtyard, a couple of years before he won The Perrier Award. I think there were about five people in the crowd.…

Read More

Fringe Review: Paul Foot: Dissolve

Alister Tenneb reviews Paul Foot: Dissolve at the Edinburgh Festival Fringe. PAUL FOOT enters the room and immediately is right up shouting into people’s faces in a pretty full-on manner – possibly it’s his way of laying down the rules for audience engagement. I’m glad not to be on the receiving end of it. He…

Read More

Fringe Review: Il Wol Dang

Megan Amato reviews Il Wol Dang at the Edinburgh Festival Fringe. BEFORE interviewing Il Wol Dang, I had been intrigued by their beautifully simplistic poster with their slogan “Come and Take a Dreamy Nap”. Further research led me to their Spotify account with a setlist that combines traditional Korean and western instruments in a captivating…

Read More

Fringe Review: Fall and Flow

Megan Amato reviews Fall and Flow at the Edinburgh Festival Fringe. AS I slipped into the performance, I was not clear on what kind of show I had walked into to as it was wholly different from what I had expected nor anything like what I had seen at the Edinburgh Fringe so far. However,…

Read More

Fringe Review: The Legends of Mountains and Seas

Megan Amato reviews The Legends of Mountains and Seas at the Edinburgh Festival Fringe. THE Graduate Institute of Performing Arts of National Taiwan Normal University’s The Legends of Mountains and Seas dramatises the Chinese myth of legendary archer Hou Yi, who was banished to Earth for shooting down nine out of ten suns and his…

Read More

International Festival Review: The Rite of Spring

Megan Amato reviews The Rite of Spring at the Edinburgh International Festival. PINA BAUSCH’S The Rite of Spring returned to Edinburgh on 17 August with pan-African dance company École des Sable, The Pina Bausch Foundation and Sadler’s Wells. Composed by Igor Stravinsky in 1913, Bausch transformed the pagan Russian performance into the stark battle between…

Read More

Fringe Review: Clara Pople

Jeremy Welch reviews Clara Pople at the Edinburgh Festival Fringe. WORKING as a reviewer during the festival is a bit like working on an oyster farm – you shuck away at the oysters in the hope of finding pearls.  More so when you review shows in the Free Fringe.  My admiration for these artists that…

Read More

Fringe Review: Let the Bodies Pile

Jeremy Welch reviews Let the Bodies Pile at the Edinburgh Festival Fringe. HENRY NAYLOR is a fantastic playwright with justifiable awards and accolades heaped upon him.  This production is typical Naylor, probing, questioning and leaving the audience to judicate.  Is it his best work? No, but it is great theatre all the same. The play…

Read More